Maile Meloy: “The Proxy Marriage”
A clerk let him into the locked room, and William dropped his backpack on the heavy wooden table, folding his long body into a chair. He was early. He tented his hands in front of his face, as if they could shield him from seeing Bridey. “If equal affection cannot be, let the more loving one be me.” That was Auden. William had set the poem to music for a pretentious tenor at school. But what did Auden know, padding around in filthy carpet slippers, filling teacups with cigarette butts? Auden, by his nature, was always going to be the more loving one, so he’d tried to make the longing admirable and desirable. William knew from experience that it wasn’t. The role of the human brain was to rationalize suffering.
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The Capitalism of Heart
She came to my door
and I knew she
wanted to enter
my world. Her eyes were
extinguished from a long
walk and yet were
refurbished like an electronic light
pressed upon like new wind
on a flaring shoulder
once the thought of sitting on the settee
shook her over like
a setting on a Monday morning
after a drawn out, conspicuous weekend.
I examined all of this as she left me
without any money, smiling
as if she had gained something.
The Once-Over - Paul Blackburn
The tanned blonde
in the green print sack
In the center of the subway car
standing
tho there are seats
has had it from
I teen-age hood
I lesbian
I envious housewife
4 men over fifty
(& myself), in short
the contents of this half of the car
Our notations are :
long legs, long waists, high breasts (no bra), long
neck, the model slump
the handbag drape & how the skirt
cuts in under a very handsome
set of cheeks
“stirring dull roots with spring rain”, sayeth the preacher
Only a stolid young man
with a blue business suit and the New York Times
does not know he is being assaulted.
So.
She has us and we have her
all the way to downtown Brooklyn
Over the tunnel and through the bridge
to DeKalb Avenue we go
all very chummy
She stares at the number over the door
and gives no sign
Yet the sign is on her
To Belinda - J.W. Goethe
Let you drag me here, without demurring,
Where it’s all so bright?
Wasn’t I, good simple soul, as happy
in my lonely night?
In my room and snug, with none to see me
As the moonlight lay
Sweet and eerie in a mist around me
Till I’d drift away,
Deep in dreams, and what delirious spells of
Unabated bliss!
Nuzzled to your image warm within me,
Dreaming dreams of this.
I’m myself? Among the candelabra
Planted! Made to play
Cards! - with those insufferable faces
A nose-length away!
Why? You draw me more than any meadow’s
Fragrance in the spring.
Angel, where you are is warmth and loving,
Every natural thing.
Sex - Galway Kinnel (fr. Strong Is Your Hold)
On my hands are the odors
of the knockout ether
either of above the sky
where the bluebirds get blued
on their upper surfaces
or of down under the earth
where the immaculate nightcrawlers
take in tubes of red earth
and polish their insides.
To defend poetry means to defend a fundamental gift of human nature, that is, our capacity… to experience astonishment and to stop still in that astonishment for an extended moment or two.
– Adam Zagajewski, Another Beauty, trans. Clare Cavanagh, p. 116.Art is not a service. Or, rather, it does not reliably serve all people in a standardized way. Its service is to the spirit, from which it removes the misery of inertia. It does this by refocusing an existing image of the world… - where the flat white of the page was, a field of energy emerges.
– Louise Glück, “The Best American Poetry 1993: Introduction”, Proofs & Theories, p. 93.Metaphor is a part of the not-knowing aspect of art, and yet I’m firmly convinced that it is the supreme way of searching for truth. How can this be?
– Charles Simic “Notes on Poetry and Philosophy”, Wonderful Words, Silent Truth, p. 67.